A Sixth-Century Fragment of the Letters of Pliny the Younger A Study of Six Leaves of an Uncial Manuscript Preserved in the Pierpont Morgan Library New York — Context and Discussion
Edition facts
A Sixth-Century Fragment of the Letters of Pliny the Younger A Study of Six Leaves of an Uncial Manuscript Preserved in the Pierpont Morgan Library New York — Context and Discussion can be approached with a clearer sense of reading commitment from its source measurements: 31,282 words, 2 hr 17 min estimated reading time, and 6 detected text sections.
The text analysis averages about 18.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Pliny, the Younger -- Correspondence,” connecting these edition facts with the source record’s subject description.
Read the complete public-domain text at its original source.
Read on Project GutenbergThe six leaves studied here, designated Π, are the oldest surviving witness to Pliny the Younger's Letters, predating the next oldest codex by three centuries. Lowe and Rand trace the fragment's provenance from a Naples marquis through Florentine and Roman dealers to J. Pierpont Morgan's 1910 purchase. The manuscript's script—a clear but continuous uncial—and its fifteenth-century foliation (beginning at fol. 48) suggest the original book was substantial. A French note on fol. 51r and a Carolingian probatio pennae indicate the codex traveled north, possibly during the Carolingian revival.
Paleographic Evidence and Scribal Habits
Lowe's paleographic analysis identifies the fragment as Italian uncial of the early sixth century, with letter forms such as the open a and tall l consistent with that period and region. The flesh sides of the leaves are faded, complicating legibility. The scribe wrote continuously without word separation, a feature Aldus himself noted as requiring practice to decipher. Corrections appear in at least two later hands: the original scribe and a second corrector, with a possible third. These corrections alter readings like sera to serua and considit to considet, showing active textual emendation in antiquity.
The Fragment's Relation to Aldus's Edition
Rand's textual collation compares Π with Aldus's 1508 edition (a) and his presumed source, the lost Parisinus (P). Over forty cases of correction in Π align with Aldus's choices, supporting the hypothesis that Aldus used the complete manuscript. Spellings in Aldus such as aerarii and illustri match Π's forms, while others like sexcenties reflect Renaissance norms. Rand excludes two probable misprints in Aldus and notes that Aldus could have followed either the original or corrected reading of Π. The fragment thus provides a direct link to the textual tradition behind the first printed edition.
Provenience and the Manuscript's Journey
The fragment's path from sixth-century Italy to twentieth-century New York is reconstructed through ownership marks. The fifteenth-century foliation and French note prove the book was in France by the late Middle Ages. A Carolingian probatio pennae on fol. 53r suggests it arrived during the eighth- or ninth-century revival, possibly brought by Charlemagne's emissaries. The last page of the fragment shows no wear, indicating more text followed. The authors infer the manuscript was one of those imported from Italy for the Carolingian scriptoria, later returning to Italy where Aldus accessed it.
Textual Variants and Editorial Decisions
The collation lists dozens of variants where Π diverges from later manuscripts. For example, at 61,14 Π reads sera corrected to serua; Aldus adopted the correction. At 61,21 Π's original considit was altered to considet, which Aldus followed. Other corrections involve spelling normalization: apponitur, existat, implorantes. Rand argues that Aldus's text shows general conformity to Π, with only two probable misprints. The fragment thus offers a check on Aldus's editorial choices and reveals the state of the text before humanist emendation.
Readers approaching this study should note that the authors present their findings as preliminary, based on six leaves of a lost manuscript. The collation is key to evaluating the argument for Aldus's Parisinus. Those unfamiliar with paleography may benefit from consulting the plates and the prefatory note on the Morgan Library's holdings. The work is a model of how fragmentary evidence can illuminate both textual transmission and the history of the book.
Holding those six uncial leaves, I thought of how a fragment can feel like a memory—incomplete yet vivid. The Pliny manuscript’s quiet survival reminded me of Hawthorne’s gentle way of catching time in passing, as he does in Sketches from Memory (From: "The Doliver Romance and Other Pieces: Tales and Sketches") — Inside the Classic. Both leave the reader with a lingering sense of something almost recovered.
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