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The Editor's Relations with the Young Contributor (from Literature and Life) — Story, Setting & Ideas
Science Fiction Utopias
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About 35 minutes
Science Fiction Utopias
7,940 recorded words. 16 minutes difference from this book's estimate.
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View Gutenberg source #3113About 94 minutes
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Read on Project GutenbergThe letters in this volume are introduced as 'thoroughly characteristic of the man' and 'completely self-explanatory.' Indeed, Lincoln's voice shifts markedly between genres: the patient, analytical tone he uses with his brother Johnston contrasts with the terse, decisive endorsement on a pardon request. The editor's note highlights the 'promptness and decision' with which Lincoln dispatched affairs, a quality visible in the single-sentence order to the Attorney-General. These letters, reproduced from the collection of William K. Bixby, offer a direct view of Lincoln's personal and official correspondence without intervening commentary.
The letter to Lincoln's father, dated December 24, 1848, opens with a straightforward response to a request for twenty dollars to save land from sale. Lincoln expresses mild surprise that a judgment was forgotten, noting it is 'singular' that the plaintiff let it lapse so long. He advises caution: 'Before you pay it, it would be well to be sure you have not paid it; or, at least, that you can not prove you have paid it.' The tone is respectful but practical, closing with affection for 'Mother, and all the connections.' This brief note reveals Lincoln's attention to detail and his expectation of fiscal responsibility, even in family matters.
On the same sheet, Lincoln addresses his stepbrother Johnston, who requested eighty dollars. Lincoln declines, citing a recurring pattern: 'at the various times when I have helped you a little, you have said to me, "We can get along very well now," but in a very short time I find you in the same difficulty again.' He identifies the defect as an idle habit: 'You are not lazy, and still you are an idler.' Lincoln distinguishes between laziness and idleness, arguing that Johnston does not work much 'merely because it does not seem to you that you could get much for it.' The remedy proposed is direct: 'go to work, "tooth and nail," for somebody who will give you money for it.' This passage showcases Lincoln's analytical approach to personal character and his willingness to deliver uncomfortable truths.
The collection includes two requests for pardon and one approval. The editor notes that Lincoln's 'unequivocal order to the Attorney-General' was indorsed on the back of a letter from Hon. Austin A. King, bearing the same date, and the prisoner was pardoned the following day. This brevity contrasts with the longer family letters. The official voice is stripped of explanation, relying on the authority of the office. The juxtaposition of these genres—personal advice, financial negotiation, and executive action—demonstrates Lincoln's ability to shift register instantly, from the patient reasoning with Johnston to the swift, unadorned command of a wartime leader.
Readers attentive to voice will notice how Lincoln adapts his language to the recipient: the affectionate son, the candid brother, the decisive president. The letters are brief—the entire collection runs just over 4,000 words—but they reward close attention to shifts in tone and pacing. The editor's claim that they are 'self-explanatory' holds true, yet the gaps between what is said and what is implied offer a richer portrait of Lincoln's mind at work.
Years at this desk, and still I notice how Lincoln's letters make decisions feel like breath—quick, certain, done. Wilde's prose breathes differently, a slower exhale over beauty and doubt. Yet both understood the weight of a single well-chosen word when the hour demands it. That quiet kinship hums between them, a shared reverence for language doing its exact work. See Selected Prose of Oscar Wilde — Edition Insights for one side of that conversation.
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